And...

And
And when I was younger
I dreamt of you
Clad in your
Transcending nakedness
And I would awake aching

And now if I dream
Of you
I see your startling blue eyes
We talk and we talk and we talk
Until I awake

For Montezuma

In 1492...

Columbus?

Cortes?

A curse upon all of them pox ridden psychopathic bastards,

Cold stone shadows cast long over the red spattered past,

At least Custer got it up the arse.

(In the style of Richard Brautigan)

The Mysteries Remain

 The Mysteries Remain
The mysteries remain,
I keep the same
cycle of seed-time
and of sun and rain;
Demeter in the grass,
I multiply,
renew and bless
Iacchus in the vine;
I hold the law,
I keep the mysteries true,
the first of these
to name the living, dead;
I am red wine and bread.

          I keep the law,
          I hold the mysteries true,
          I am the vine,
          the branches, you
          and you.
by H.D. (Hilda Doolittle)
(1886 - 1961)

Schooldays, the early 70s, and then Sydney University 1987

Thomas Gray's Elegy

Elegy Written in a Country Churchyard

The Curfew tolls the knell of parting day,
The lowing herd winds slowly o'er the lea,
The ploughman homeward plods his weary way,
And leaves the world to darkness and to me.
Now fades the glimmering landscape on the sight,
And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
And drowsy tinklings lull the distant folds.
Save that from yonder ivy-mantled tower,
The moping owl does to the moon complain,
Of such as wand'ring near her secret bower,
Molest her ancient solitary reign.
Beneath those rugged elms, that yew-tree's shade,
Where heaves the turf in many a mould'ring heap,
Each in his narrow cell for ever laid,
The rude forefathers of the hamlet sleep.
The breezy call of incense-breathing morn,
The swallow twittering from the straw-built shed,
The cock's shrill clarion, and the echoing horn,
No more shall rouse them from their lowly bed.
For them no more the blazing hearth shall burn,
Or busy housewife ply her evening care,
No children run to lisp their Sire's return,
Nor climb his knees the envied kiss to share.
Oft did the harvest to their sickle yield,
Their furrow oft the stubborn glebe has broke,
How jocund did they drive their team afield,
How bowed the woods beneath their sturdy stoke!
Let not ambition mock their useful toil,
Their homely joys and destiny obscure,
Nor grandeur hear with a disdainful smile,
The short and simple annals of the poor.
The boast of heraldry, the pomp of power,
And all that beauty, all that wealth e'er gave,
Awaits alike th'inevitable hour,
The paths of glory lead but to the grave.
Nor you, ye proud, impute to these the fault,
If mem'ry o'er their tomb no trophies raise,
Where, through the long-drawn aisle and fretted vault,
The pealing anthem swells the note of praise.
Can storied urn, or animated bust,
Back to its mansion call the fleeting breath?
Can honour's voice provoke the silent dust,
Or flattery soothe the dull cold ear of death?
Perhaps in this neglected spot is laid,
Some heart once pregnant with celestial fire,
Hands, that the rod of empire might have sway'd,
Or waked to ecstasy the living lyre.
But knowledge to their eyes her ample page,
Rich with the spoils of time did ne'er unroll,
Chill penury repress'd their noble rage,
And froze the genial current of the soul.
Full many a gem of purest ray serene,
The dark unfathom'd caves of ocean bear,
Full many a flower is born to blush unseen,
And waste its sweetness on the desert air.
Some village Hampden, that with dauntless breast,
The little tyrant of his fields withstood,
Some mute inglorious Milton here may rest,
Some Cromwell, guiltless of his country's blood.
Th' applause of list'ning senates to command,
The treats of pain and ruin to despise,
To scatter plenty o'er a smiling land,
And read their hist'ry in a nation's eyes.
Their lot forbad: nor circumscribed alone,
Their growing virtues, but their crimes confined:
Forbad to wade through slaughter to a throne,
Or shut the gates of mercy on mankind.
The struggling pangs of conscious truth to hide,
To quench the blushes of ingenious shame,
Or heap the shrine of luxury and pride,
With incense, kindled at the muse's flame.
Far from the madding crowd's ignoble strife,
Their sober wishes never learn'd to stray;
Along the cool sequester'd vale of life,
They kept the noiseless tenour of their way.
Yet ev'n these bones from insult to protect,
Some frail memories still erected nigh,
With uncouth rhymes and shapeless sculpture deck'd,
Implores the passing tribute of a sigh.
Their name, their years, spelt by th' unletter'd muse,
The place of fame and epitaph supply;
And many a holy text around she strews,
That teach the rustic moralists to die.
For who to dumb forgetfulness a prey,
This pleasing anxious being e'er resing'd,
Left the warm precincts of the cheerful day,
Nor cast one longing ling'ring look behind?
On some fond breast the parting soul relies,
Some pious drops the closing eye requires;
Even from the tomb the voice of nature cries,
Even in our ashes live their wonted fires.
For thee, who mindful of th' unhonour'd dead,
Dost in these lines their artless tale relate:
If chance, by lonely contemplation led,
Some kindred spirit shall enquire thy fate.
Haply some hoary-headed swain may say,
'Oft have we seen him at the peep of dawn',
'Brushing with hasty steps the dews away',
'To meet the sun upon the upland lawn'.
'There, at the foot of yonder nodding beech',
'That wreaths its old fantastic roots so high',
'His listless length at noontide would he stretch',
'And pore upon the brook, that babbles by'.
'Hard by yon wood, now smiling as in scorn',
'Muttering his wayward fancies, would he rove';
'Now drooping, woeful-wan, like one forelorn',
'Or crazed with care, or cross'd in hopeless love'.
'One morn I miss'd him from the custom'd hill',
'Along the heath, and near his fav'rite tree';
'Another came; nor yet beside the rill',
'Nor up the lawn, nor at the wood was he'.
'The next with dirges due in sad array,'
'Slow through the churchway path we saw him borne',
'Approach and read, for thou cans't read, the lay',
'Graved on the stone beneath yon aged thorn'.
 

The Epitaph

Here rests his head upon the lap of earth,
A youth, to fortune and to fame unknown;
Fair science frown'd not on his humble birth,
And melancholy mark'd him for her own.
Large was his bounty, and his soul sincere;
Heav'n did a recompense as largely send:
He gave to mis'ry all he had, a tear,
He gain'd from heav'n ('twas all he wish'd) a friend.
No farther seek his merits to disclose,
Or draw his frailties from their dread abode,
(There they alike in trembling hope repose),
The bosom of his father, and his God.

Childhood ,and Westfields SHS in the 90s :The Highwayman

I loved this when at school..and I once saw a B&W movie based on its plot.and , well they wear tricorned hats, enough said ..I created a worksheet based on this and had much fun with year 8s or even 9s, no doubt copies of it are still wandering around Westfields English faculty..I did have to change "breast" to "chest"..to use the word breast in the vicinity of year 8 was to invite a total lexicon disaster.I imagine there are now more people in the Fairfield area , or from there ,who know the meaning of the word ostler than in any other part of Australia.

The Highwayman
The wind was a torrent of darkness upon the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight looping the purple moor,
And the highwayman came riding--
Riding--riding--
The highwayman came riding, up to the old inn door.

He'd a French cocked hat on his forehead, and a bunch of lace at his chin;
He'd a coat of the claret velvet, and breeches of fine doe-skin.
They fitted with never a wrinkle; his boots were up to his thigh!
And he rode with a jeweled twinkle--
His rapier hilt a-twinkle--
His pistol butts a-twinkle, under the jeweled sky.

Over the cobbles he clattered and clashed in the dark inn-yard,
He tapped with his whip on the shutters, but all was locked and barred,
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter--
Bess, the landlord's daughter--
Plaiting a dark red love-knot into her long black hair.

Dark in the dark old inn-yard a stable-wicket creaked
Where Tim, the ostler listened--his face was white and peaked--
His eyes were hollows of madness, his hair like mouldy hay,
But he loved the landlord's daughter--
The landlord's black-eyed daughter;
Dumb as a dog he listened, and he heard the robber say:

"One kiss, my bonny sweetheart; I'm after a prize tonight,
But I shall be back with the yellow gold before the morning light.
Yet if they press me sharply, and harry me through the day,
Then look for me by moonlight,
Watch for me by moonlight,
I'll come to thee by moonlight, though hell should bar the way."

He stood upright in the stirrups; he scarce could reach her hand,
But she loosened her hair in the casement! His face burnt like a brand
As the sweet black waves of perfume came tumbling o'er his breast,
Then he kissed its waves in the moonlight
(O sweet black waves in the moonlight!),
And he tugged at his reins in the moonlight, and galloped away to the west.

He did not come in the dawning; he did not come at noon.
And out of the tawny sunset, before the rise of the moon,
When the road was a gypsy's ribbon over the purple moor,
The redcoat troops came marching--
Marching--marching--
King George's men came marching, up to the old inn-door.

They said no word to the landlord; they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed.
Two of them knelt at her casement, with muskets by their side;
There was Death at every window,
And Hell at one dark window,
For Bess could see, through her casement, the road that he would ride.

They had bound her up at attention, with many a sniggering jest!
They had tied a rifle beside her, with the barrel beneath her breast!
"Now keep good watch!" and they kissed her. She heard the dead man say,
"Look for me by moonlight,
Watch for me by moonlight,
I'll come to thee by moonlight, though Hell should bar the way."

She twisted her hands behind her, but all the knots held good!
She writhed her hands till her fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by like years,
Till, on the stroke of midnight,
Cold on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!

The tip of one finger touched it, she strove no more for the rest;
Up, she stood up at attention, with the barrel beneath her breast.
She would not risk their hearing, she would not strive again,
For the road lay bare in the moonlight,
Blank and bare in the moonlight,
And the blood in her veins, in the moonlight, throbbed to her love's refrain.

Tlot tlot, tlot tlot! Had they heard it? The horse-hooves, ringing clear;
Tlot tlot, tlot tlot, in the distance! Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding--
Riding--riding--
The redcoats looked to their priming! She stood up straight and still.

Tlot tlot, in the frosty silence! Tlot tlot, in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment, she drew one last deep breath,
Then her finger moved in the moonlight--
Her musket shattered the moonlight--
Shattered her breast in the moonlight and warned him--with her death.

He turned, he spurred to the West; he did not know who stood
Bowed, with her head o'er the casement, drenched in her own red blood!
Not till the dawn did he hear it, and his face grew grey to hear
How Bess, the landlord's daughter,
The landlord's black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

Back, he spurred like a madman, shrieking a curse to the sky,
With the white road smoking behind him and his rapier brandished high!
Blood-red were his spurs in the golden noon, wine-red was his velvet coat
When they shot him down in the highway,
Down like a dog in the highway,
And he lay in his blood in the highway, with the bunch of lace at his throat.

And still on a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cloudy seas,
When the road is a gypsy's ribbon looping the purple moor,
The highwayman comes riding--
Riding--riding--
The highwayman comes riding, up to the old inn-door.

Over the cobbles he clatters and clangs in the dark inn-yard,
He taps with his whip on the shutters, but all is locked and barred,
He whistles a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter--
Bess, the landlord's daughter--
Plaiting a dark red love-knot into her long black hair.

Alfred Noyes