The chill wind is blowing

From the South,

The Border is closing.

And...

And
And when I was younger
I dreamt of you
Clad in your
Transcending nakedness
And I would awake aching

And now if I dream
Of you
I see your startling blue eyes
We talk and we talk and we talk
Until I awake

For Montezuma

In 1492...

Columbus?

Cortes?

A curse upon all of them pox ridden psychopathic bastards,

Cold stone shadows cast long over the red spattered past,

At least Custer got it up the arse.

(In the style of Richard Brautigan)

For all my old school chums

who, forty years ago, were struggling through  HSC English with this play...a rich and profitable study it finally turned out to be.

under milk wood

ROSIE PROBERT (softly)
What seas did you see,
Tom Cat, Tom Cat,
In your sailoring days
Long long ago?
What sea beasts were 
In the wavery green
When you were my master?

CAPTAIN CAT
I’ll tell you the truth.
Seas barking like seals, 
Blue seas and green,
Seas covered with eels
And mermen and whales.

ROSIE PROBERT
What seas did you sail
Old whaler when
On the blubbery waves
Between Frisco and Wales
You were my bosun? 

CAPTAIN CAT
As true as I’m here
Dear you Tom Cat’s tart
You landlubber Rosie
You cosy love
My easy as easy
My true sweetheart,
Seas green as a bean
Seas gliding with swans
In the seal-barking moon. 

ROSIE PROBERT
What seas were rocking
My little deck hand
My favourite husband
In your seaboots and hunger
My duck my whaler
My honey my daddy
My pretty sugar sailor
With my name on your belly
When you were a boy
Long long ago? 

CAPTAIN CAT
I’ll tell you no lies.
The only sea I saw
Was the seesaw sea
With you riding on it.
Lie down, lie easy.
Let me shipwreck in your thighs. 

#Dylan Thomas

In homage to modernist poetry

To a Dead Lover

BY LOUISE BOGAN

The dark is thrown

Back from the brightness, like hair

Cast over a shoulder.

I am alone,

Four years older;

Like the chairs and the walls

Which I once watched brighten

With you beside me. I was to waken

Never like this, whatever came or was taken.

The stalk grows, the year beats on the wind.

Apples come, and the month for their fall.

The bark spreads, the roots tighten.

Though today be the last

Or tomorrow all,

You will not mind.

That I may not remember

Does not matter.

I shall not be with you again.

What we knew, even now

Must scatter

And be ruined, and blow

Like dust in the rain.

You have been dead a long season

And have less than desire

Who were lover with lover;

And I have life—that old reason

To wait for what comes,

To leave what is over.

Originally published in Poetry, August 1922.
http://en.wikipedia.org/wiki/Louise_Bogan

new cottage coming up

http://www.thehomepage.com.au/property/rental/24-john-street-goulburn/152491

and the guns fell silent..

 

http://upload.wikimedia.org/wikipedia/commons/d/db/Te.Deum.oggte Deum

Lest we forget..
Pvte Edward D'Arcy Kendrick .no 2131, 9th Battn then 3rd Brigade MG company 1st AIF . KIA The Somme 25/7/1916 (1896-1916)
Pvte Amos Wardill of Southend,Essex, no.89546, Machine Gun Corp KIA Flanders ,21/03/1918

To the memory of Arthur Easton

http://www.youtube.com/watch?v=anPgTes5Pu4

Jones St ,Ultimo, 1979.....

Now I don't hardly know her
But I think I could love her
Crimson and clover

Ah
Well if she come walkin' over
Now I been waitin' to show her
Crimson and clover
Over and over

Yeah
My mind's such a sweet thing
I wanna do everything
What a beautiful feeling
Crimson and clover
Over and over

Crimson and clover, over and over
play the song big boy!!!

Recovered Pics..well well well

first up 1978/79, sort of a New Wave  street life inner city  time..Paternoster Row Pyrmont..refers well with Arthur Easton 1978
then

Brumby St ,Strawberry Hills 1983/4

The Ballad of the Long Legged Bait

http://www.youtube.com/watch?v=XsVYo4GWQT8

The Passionate Shepherd to His Love

Borrowed from http://writersalmanac.publicradio.org/

The Passionate Shepherd to His Love

by Christopher Marlowe

COME live with me and be my Love,
And we will all the pleasures prove
That hills and valleys, dale and field,
And all the craggy mountains yield.

There will we sit upon the rocks
And see the shepherds feed their flocks,
By shallow rivers, to whose falls
Melodious birds sing madrigals.

There will I make thee beds of roses
And a thousand fragrant posies,
A cap of flowers, and a kirtle
Embroider'd all with leaves of myrtle.

A gown made of the finest wool
Which from our pretty lambs we pull,
Fair linèd slippers for the cold,
With buckles of the purest gold.

A belt of straw and ivy buds
With coral clasps and amber studs:
And if these pleasures may thee move,
Come live with me and be my Love.

Thy silver dishes for thy meat
As precious as the gods do eat,
Shall on an ivory table be
Prepared each day for thee and me.

The shepherd swains shall dance and sing
For thy delight each May-morning:
If these delights thy mind may move,
Then live with me and be my Love. 

Lorelei

Lorelei

It is no night to drown in:
A full moon, river lapsing
Black beneath bland mirror-sheen,

The blue water-mists dropping
Scrim after scrim like fishnets
Though fishermen are sleeping,

The massive castle turrets
Doubling themselves in a glass
All stillness. Yet these shapes float

Up toward me, troubling the face
Of quiet. From the nadir
They rise, their limbs ponderous

With richness, hair heavier
Than sculptured marble. They sing
Of a world more full and clear

Than can be. Sisters, your song
Bears a burden too weighty
For the whorled ear's listening

Here, in a well-steered country,
Under a balanced ruler.
Deranging by harmony

Beyond the mundane order,
Your voices lay siege. You lodge
On the pitched reefs of nightmare,

Promising sure harborage;
By day, descant from borders
Of hebetude, from the ledge

Also of high windows. Worse
Even than your maddening
Song, your silence. At the source

Of your ice-hearted calling-
Drunkenness of the great depths.
O river, I see drifting

Deep in your flux of silver
Those great goddesses of peace.
Stone, stone, ferry me down there.

and

On Looking into the Eyes of a Demon Lover

Here are two pupils
whose moons of black
transform to cripples
all who look:
each lovely lady
who peers inside
take on the body
of a toad.
Within these mirrors
the world inverts:
the fond admirer's
burning darts
turn back to injure
the thrusting hand
and inflame to danger
the scarlet wound.
I sought my image
in the scorching glass,
for what fire could damage
a witch's face?
So I stared in that furnace
where beauties char
but found radiant Venus
reflected there.

The Hollow Men ,for the Rapturists..

The Hollow Men

Mistah Kurtz—he dead.

A penny for the Old Guy

I
We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats' feet over broken glass
In our dry cellar

Shape without form, shade without colour,
Paralysed force, gesture without motion;

Those who have crossed
With direct eyes, to death's other Kingdom
Remember us—if at all—not as lost
Violent souls, but only
As the hollow men
The stuffed men.

II
Eyes I dare not meet in dreams
In death's dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind's singing
More distant and more solemn
Than a fading star.

Let me be no nearer
In death's dream kingdom
Let me also wear
Such deliberate disguises
Rat's coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer—

Not that final meeting
In the twilight kingdom

III
This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man's hand
Under the twinkle of a fading star.

Is it like this
In death's other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.

IV
The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms

In this last of meeting places
We grope together
And avoid speech
Gathered on this beach of the tumid river

Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death's twilight kingdom
The hope only
Of empty men.

V
Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o'clock in the morning.

Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
For Thine is the Kingdom

Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow
Life is very long

Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow
For Thine is the Kingdom

For Thine is
Life is
For Thine is the

This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper

Dylan Thomas - In The Beginning

Dylan Thomas - In The Beginning

In the beginning was the three-pointed star, One smile of light across the empty face, One bough of bone across the rooting air, The substance forked that marrowed the first sun, And, burning ciphers on the round of space, Heaven and hell mixed as they spun. In the beginning was the pale signature, Three-syllabled and starry as the smile, And after came the imprints on the water, Stamp of the minted face upon the moon; The blood that touched the crosstree and the grail Touched the first cloud and left a sign. In the beginning was the mounting fire That set alight the weathers from a spark, A three-eyed, red-eyed spark, blunt as a flower, Life rose and spouted from the rolling seas, Burst in the roots, pumped from the earth and rock The secret oils that drive the grass. In the beginning was the word, the word That from the solid bases of the light Abstracted all the letters of the void; And from the cloudy bases of the breath The word flowed up, translating to the heart First characters of birth and death. In the beginning was the secret brain. The brain was celled and soldered in the thought Before the pitch was forking to a sun; Before the veins were shaking in their sieve, Blood shot and scattered to the winds of light The ribbed original of love.

A Winter's Tale

  A most beautiful poem
 
It is a winter's tale
That the snow blind twilight ferries over the lakes
And floating fields from the farm in the cup of the vales,
Gliding windless through the hand folded flakes,
The pale breath of cattle at the stealthy sail,

And the stars falling cold,
And the smell of hay in the snow, and the far owl
Warning among the folds, and the frozen hold
Flocked with the sheep white smoke of the farm house cowl
In the river wended vales where the tale was told.

Once when the world turned old
On a star of faith pure as the drifting bread,
As the food and flames of the snow, a man unrolled
The scrolls of fire that burned in his heart and head,
Torn and alone in a farm house in a fold

Of fields. And burning then
In his firelit island ringed by the winged snow
And the dung hills white as wool and the hen
Roosts sleeping chill till the flame of the cock crow
Combs through the mantled yards and the morning men

Stumble out with their spades,
The cattle stirring, the mousing cat stepping shy,
The puffed birds hopping and hunting, the milkmaids
Gentle in their clogs over the fallen sky,
And all the woken farm at its white trades,

He knelt, he wept, he prayed,
By the spit and the black pot in the log bright light
And the cup and the cut bread in the dancing shade,
In the muffled house, in the quick of night,
At the point of love, forsaken and afraid.

He knelt on the cold stones,
He wept form the crest of grief, he prayed to the veiled sky
May his hunger go howling on bare white bones
Past the statues of the stables and the sky roofed sties
And the duck pond glass and the blinding byres alone

Into the home of prayers
And fires where he should prowl down the cloud
Of his snow blind love and rush in the white lairs.
His naked need struck him howling and bowed
Though no sound flowed down the hand folded air

But only the wind strung
Hunger of birds in the fields of the bread of water, tossed
In high corn and the harvest melting on their tongues.
And his nameless need bound him burning and lost
When cold as snow he should run the wended vales among

The rivers mouthed in night,
And drown in the drifts of his need, and lie curled caught
In the always desiring centre of the white
Inhuman cradle and the bride bed forever sought
By the believer lost and the hurled outcast of light.

Deliver him, he cried,
By losing him all in love, and cast his need
Alone and naked in the engulfing bride,
Never to flourish in the fields of the white seed
Or flower under the time dying flesh astride.

Listen. The minstrels sing
In the departed villages. The nightingale,
Dust in the buried wood, flies on the grains of her wings
And spells on the winds of the dead his winter's tale.
The voice of the dust of water from the withered spring

Is telling. The wizened
Stream with bells and baying water bounds. The dew rings
On the gristed leaves and the long gone glistening
Parish of snow. The carved mouths in the rock are wind swept strings.
Time sings through the intricately dead snow drop. Listen.

It was a hand or sound
In the long ago land that glided the dark door wide
And there outside on the bread of the ground
A she bird rose and rayed like a burning bride.
A she bird dawned, and her breast with snow and scarlet downed.

Look. And the dancers move
On the departed, snow bushed green, wanton in moon light
As a dust of pigeons. Exulting, the grave hooved
Horses, centaur dead, turn and tread the drenched white
Paddocks in the farms of birds. The dead oak walks for love.

The carved limbs in the rock
Leap, as to trumpets. Calligraphy of the old
Leaves is dancing. Lines of age on the stones weave in a flock.
And the harp shaped voice of the water's dust plucks in a fold
Of fields. For love, the long ago she bird rises. Look.

And the wild wings were raised
Above her folded head, and the soft feathered voice
Was flying through the house as though the she bird praised
And all the elements of the slow fall rejoiced
That a man knelt alone in the cup of the vales,

In the mantle and calm,
By the spit and the black pot in the log bright light.
And the sky of birds in the plumed voice charmed
Him up and he ran like a wind after the kindling flight
Past the blind barns and byres of the windless farm.

In the poles of the year
When black birds died like priests in the cloaked hedge row
And over the cloth of counties the far hills rode near,
Under the one leaved trees ran a scarecrow of snow
And fast through the drifts of the thickets antlered like deer,

Rags and prayers down the knee-
Deep hillocks and loud on the numbed lakes,
All night lost and long wading in the wake of the she-
Bird through the times and lands and tribes of the slow flakes.
Listen and look where she sails the goose plucked sea,

The sky, the bird, the bride,
The cloud, the need, the planted stars, the joy beyond
The fields of seed and the time dying flesh astride,
The heavens, the heaven, the grave, the burning font.
In the far ago land the door of his death glided wide,

And the bird descended.
On a bread white hill over the cupped farm
And the lakes and floating fields and the river wended
Vales where he prayed to come to the last harm
And the home of prayers and fires, the tale ended.

The dancing perishes
On the white, no longer growing green, and, minstrel dead,
The singing breaks in the snow shoed villages of wishes
That once cut the figures of birds on the deep bread
And over the glazed lakes skated the shapes of fishes

Flying. The rite is shorn
Of nightingale and centaur dead horse. The springs wither
Back. Lines of age sleep on the stones till trumpeting dawn.
Exultation lies down. Time buries the spring weather
That belled and bounded with the fossil and the dew reborn.

For the bird lay bedded
In a choir of wings, as though she slept or died,
And the wings glided wide and he was hymned and wedded,
And through the thighs of the engulfing bride,
The woman breasted and the heaven headed

Bird, he was brought low,
Burning in the bride bed of love, in the whirl-
Pool at the wanting centre, in the folds
Of paradise, in the spun bud of the world.
And she rose with him flowering in her melting snow.

Dylan Thomas

and of course ...

http://encyclopedia.thefreedictionary.com/A.+A.+Milne

Alan Alexander Milne (pronounced /ˈmɪln/) (18 January 1882 –31 January 1956) was an English author, best known for his books about the teddy bear Winnie-the-Pooh and for various children's poems. Milne was a noted writer, primarily as a playwright, before the huge success of Pooh overshadowed all his previous work.

Wise Guy ,eh?

1952 – Curly Howard, American actor and comedian (b. 1903)

Today is for Karl and Rosa

my four for today

69 – Otho seizes power in Rome, proclaiming himself Emperor of Rome, but rules for only three months before committing suicide.

1919 – Rosa Luxemburg and Karl Liebknecht, two of the most prominent socialists in Germany, are tortured and murdered by the Freikorps.

622 – Molière, French playwright (d. 1673)

Feast day of – Paul the Hermit

And today?

1129 – Formal approval of the Order of the Templar at the Council of Troyes.

for the Great white Zulu and other Golcondans
1761 – The Third Battle of Panipat is fought in India between the Afghans under Ahmad Shah Durrani and the Marhatas. The Afghan victory changes the course of Indian History.


83 BC – Marcus Antonius, Roman politician (d. 30 BC)